Vikramaditya - Wikipedia. Vikramaditya. Information. Occupationking. Vikramaditya (IAST: Vikram. He is characterised as the ideal king, known for his generosity, courage, and patronage of scholars. There are hundreds of legends about Vikramaditya, including the ones in Baital Pachisi and Singhasan Battisi. Most of the legends present him as a universal ruler with his capital at Ujjain (Pataliputra or Pratishthana in a few stories). According to the popular tradition, Vikramaditya started the Vikrama Samvat era in 5. BCE, after defeating the Shakas. For this reason, those who believe him to be based on a distinct historical figure place him around the 1st century BCE. However, this era is mentioned as . Other scholars argue that Vikramaditya is a mythical character as several of the legends about him are fantastic in nature. In some of them, he is defeated by Shalivahana (who establishes the Shalivahana era) while in others, he is an ancestor of Shalivahana; a few legends also apply the title of Vikramaditya to the king of Pratishthana. The political rivalry between the two kings is sometimes also extended to patronage of language, with Vikramaditya supporting Sanskrit and Shalivahana supporting Prakrit. Etymology and names. He is also known as Vikrama, Bikramjit and Vikramarka (arka also means . Some legends also describe him as a liberator of India from mlechchha invaders; the invaders are identified as Shakas in most of these tales leading to the king also being known by the epithet, Shakari (IAST. Raja Vikramarka (Chiranjeevi), the prince and heir to the throne of the fictitious kingdom of Skanda Dweepam, is discontented with being pampered all his life. Watch Raja Vikramarka Movie Online Full HD Version directly from your PC or tablet in best quality, Stream Raja Vikramarka Movie in best quality HD 1080p, Free. Raja Vikramarka Hindi movies songs featuring Chiranjeevi, Amala, Radhika. Music composed by Raj Koti. Album released in 1990. However, the parts that mention Vikramaditya might be later Gupta- era interpolations in these works. The earliest work to mention the legendary Vikramaditya was probably Brihatkatha of Gunadhya, who flourished somewhere between the 1st century BCE and 3rd century CE. This Paisachi language work is now lost. Its existence (and its mention of Vikramaditya) is only deduced by its adaptations in other surviving works dated 6th century and later. Since there is no surviving copy of this work, it is not certain if it actually contained the Vikramaditya legends: its post- Gupta period adaptations, such as Katha- Sarit- Sagara, may contain interpolations. Gaha Sattasai (or Gatha- Saptasati) attributed to the Satavahana king H. However, a large number of stanzas in this work are not common to its various recensions: they appear to be interpolations added during the Gupta period. The verse about Vikramaditya is similar to a phrase. Thus, there is a possibility that this phrase might have been a later Gupta- era insertion in the work attributed to Hala. Paramaratha quotes a Vikramaditya legend, which names the king's capital as Ayodhya. According to this legend, the king gave 3. Samkhya scholar Vindhyavasa, who had defeated Vasubandhu's Buddhist teacher Buddhamitra in a philosophical debate. Vasubandhu then wrote Paramartha Saptati, which demonstrated the deficiencies of the Samkhya philosophy. Vikramaditya was pleased with Vasubandhu's arguments, and gave him 3. Vasubandhu later taught Buddhism to prince Baladitya, and converted the queen to Buddhism after the king's death. Subandhu states that the glorious Vikramaditya was a memory of past during his time. Xuanzang (c. According to his account, the king ordered 5. Once, he rewarded a man with 1. Around same time, the Buddhist monk Manoratha paid 1. The king, who was very proud of his generosity, felt embarrassed. Out of spite, Vikramaditya arranged a debate between Manoratha and 1. Buddhist scholars. Manoratha defeated 9. Buddhists shouted him down and humiliated him at the beginning of the last debate. Before his death, Manoratha wrote to his disciple Vasubandhu about the futility of debating with biased and ignorant people. Shortly after, Vikramaditya died, and Vasubandhu requested his successor Baladitya to organise another debate in order to avenge his master's humiliation. In this debate, Vasubandhu defeated 1. Buddhist scholars. Some legends also associate the Shaka era (beginning in 7. CE) with him. For example, when Al- Biruni (9. The Vikramaditya era was used in southern and western India. Al- Biruni learned the following legend about the Shaka era. According to one source, he was a Shudra from the Alman. In 7. 8 CE, the Hindu king Vikramaditya defeated him and killed him in the Karur region, located between Multan and the castle of Loni. The astronomers and other people started using this date as the beginning of a new era. Since there was a difference of over 1. Vikramaditya era and the Shaka era, Al- Biruni concluded that their founders were two different kings with the same name. The Vikramaditya era named after the first; and the Shaka era was associated with the defeat of the Shaka ruler by the second Vikramaditya. Both these legends are historically inaccurate. There is a difference of 1. Vikramaditya and Shalivahana could not have been contemporary figures. The association of the era beginning in 5. BCE with Vikramaditya is not found in any source before the 9th century CE. The earlier sources call this era by various names, including K. Bhandarkar believe that the name of the era changed to . Several alternative theories exist as well; for example, Rudolf Hoernl. Each legend contains several levels of fantasy stories within a story, which highlight the power of Vikramaditya. The first legend mentions Vikramaditya's rivalry with the king of Pratishthana. However, in this version, that king is named Narasimha, not Shalivahana and Vikramaditya's capital is Pataliputra, not Ujjain. This legend goes like this: Vikramaditya was an adversary of Narasimha. Once, he invaded Dakshinapatha and besieged Pratishthana. However, he was defeated and forced to retreat. He then entered Pratishthana in disguise, and won over a female courtesan. He lived as the lover of the courtesan for some time, before secretly returning to Pataliputra. Before returning, he left five miraculous golden statues at the courtesan's house. He had received these statues from the deity, Kubera. If any limb of these statues was broken and gifted to someone, it would grow again. Sorrowful at the sudden absence of her lover, the courtesan turned to charity and became famous for her gifts of gold. Soon, she eclipsed Narasimha in fame. Subsequently, Vikramaditya returned to the courtesan's house, where Narasimha met him and befriended him. Vikramaditya then married the courtesan and took her to Pataliputra. This collection contains 2. Besides Kathasaritasagara, the collection exists in three other Sanskrit recensions, numerous Indian vernacular versions, several English translations (both from Sanskrit and Hindi), and more; it is the most popular of the Vikramaditya legends. In Kshemendra, Somadeva and . The later texts, such as the Sanskrit- language Vetala- Vikramaditya- Katha and the modern vernacular versions name the king as Vikramaditya of Ujjain. Book 1. 8 (Vishamashila) contains another legend, narrated by Naravahanadatta to an assembly of hermits in the ashram of the sage Kashyapa. According to it, Indra and other devas once informed Shiva that the previously slain asuras had been reborn on the earth in form of mlechchhas. Shiva then commanded his attendant Malyavat to take birth in Ujjain as the prince of Avanti kingdom, and slay the mlechchhas. Shiva also appeared in the dream of Avanti's king, Mahendraditya, and told him that a son would be born to his queen, Saumyadarshana. He asked the king to name the child Vikramaditya, and also told him that the prince will be known as Vishamashila because of his hostility to his enemies. Malyavat was thus born as Vikramaditya.
When the prince became an adult, Mahendraditya retired to Varanasi. Vikramaditya then launched a campaign to conquer a number of kingdoms, and also subdued vetalas, rakshasas and other demons. His general Vikramashakti conquered the Dakshinapatha in the south; Madhyadesha in the central region; Surashtra in the west; and the countries to the east of Ganges. He also made the northern kingdom of Kashmira a tributary of Vikramaditya. Virasena, the king of Sinhala Kingdom gave his daughter Madanalekha to Vikramaditya in marriage. The emperor also married three other women: Gunavati, Chandravati and Madanasundari. In addition, he married Kalingasena, the princess of Kalinga. According to it, Vikramaditya's general Vikramashakti defeated a number of mlechchhas, including Kambojas, Yavanas, Hunas, Barbaras, Tusharas and Persians. In both Brihatkathamanjari and Kathasaritsagara, Malyavat is later born as Gunadhya, the author of Brihatkatha on which these books are based. Rajatarangini. It further states that Vikramaditya made his friend and poet Matrigupta the ruler of Kashmir. After Vikramaditya's death, Matrigupta abdicated the throne in favour of Pravarasena. Sircar, Kalhana has confused the legendary Vikramaditya with the Pushyabhuti king Harsavardhana (c. In this collection of frame stories, the Paramara king Bhoja discovers the ancient throne of Vikramaditya after several centuries. The throne has 3. When Bhoja tries to ascend the throne, one apsara comes to life and challenges him to ascend the throne only if he has magnanimity equal to Vikramaditya as revealed by a tale she would narrate. This leads to 3. 2 attempts of Bhoja to ascend the throne (and 3. Vikramaditya's virtue); in each case Bhoja acknowledges his inferiority. Finally, the statues let him ascend the throne when they are pleased with his humility. The author and date of the original work is unknown. Since the story mentions Bhoja (died 1. CE), it must have been composed after the 1. According to the text (3. Paramara king was Pramara, born from a fire pit at Mount Abu (thus belonging to the Agnivansha). Vikramaditya, Shalivahana and Bhoja are described as the descendants of Pramara, and thus, members of the Paramara dynasty. He established a throne decorated with 3. Simhasana Dvatrimsika). Shiva's wife Parvati created a vetala to protect him and to instruct him with riddles (a reference to Baital Pachisi legends). Raja Vikramarka - Wikipedia. Raja Vikramarka is a 1. Telugu film. It was directed by Ravi Raja Pinisetty. Chiranjeevi, Amala and Raadhika played the lead roles. It was a remake of Tamil film My Dear Marthandan released earlier in the same year. The film was later dubbed in Hindi as Daulat Ki Duniya. This movie was inspired by Eddie Murphy's Coming to America. Raja Vikramarka (Chiranjeevi) is the prince of Skanda Dweepam, a small kingdom. As he is a prince, he is not allowed to live his own free life. His father (Satyanarayana) arranges his marriage with another kingdom's princess. She turns out to be nothing more than a sycophant, one without a brain or spine of her own. He leaves the kingdom with his trusted friend, Jockie (Bramhanandam), in order to live his own life. In the modern big city, he finds a friend and works as a mechanic, during which time he saves a girl (Amala) from two attempts at her life. Her uncle (Rao Gopal Rao) hires him as her bodyguard. Rao later reveals to him that he was in fact the assassin trying to kill her for her money. In order to thwart his plot, Raja agrees to handle the murder attempts, while at the same time trying to save her. After being kicked out of the house, her uncle, along with the other villains (Gollapudi Maruthi Rao and Kota Srinivasa Rao) join forces to kill Raja and his parents. Raja saves the day and rules as king of his land. Soundtrack. This album is the 1. Raj- Koti. The album consists of six songs. Lyrics for the all songs were penned by Veturi Sundararama Murthy. Chithra, Radhika. Chithra. 6: 3. 5Total length: 3.
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